Live yesterday once more
As you step into the museum's sanctum, you will feel the golden olden days whisper from every corner. What began with a modest collection of 200 treasures has blossomed into a tapestry of 4000 artefacts, each bearing witness to the passage of ages. Among the relics are echoes of bygone eras – discarded wood, weathered doors, and ancient pillars stand as silent sentinels of a forgotten world. Tools of tillage and harvest, once wielded by hands, now rest in reverent display. Wander through halls where agricultural wonders share space with storied remnants of transportation, from majestic carts to elegant carriages. Amidst grain measures and scales, the museum's heart beats with the rhythm of generations, offering a glimpse into the rich tapestry of human endeavour.
The designer has collected each item from 300 houses that were razed to the ground over time. As you move leisurely from one art piece to another you can breeze through abundant information that has been assimilated by talking and spending time with village elders.
The artist behind the art
The person behind the idea is Victor Hugo Gomes. Victor was aware of the changes of time that reflected in his own home. Grand wood objects were being replaced by metals and then plastics. The traditional kerosene lamps and the cow dung red oxide floors were being replaced by mosaics and tiles. As a child, he would collect these discarded objects and gaze at their beauty for hours, wondering if their time was over or if they were eligible for a rebirth. After years, he moved to Lucknow as a painter. It is here that he learned about the intricate art of repurposing age-old objects. He gathered all the knowledge and learning, stacked and stored it in a little place in his heart, came back to Goa, and after much struggle, set up the museum.